After 2016’s slightly parred-down event (although my recollection of Howlin’ Fling ’16 is that it was anything but low key), for 2017 Johnny Pictish Trail’s Fling is BACK in business, across two spaces – the Ceilidh Hall and the marquee – and we’re here to partaaaay! And listen to music. And drink lots of beer.
Things get off to their usual customary weirdness with Devonanon to Monoganon. The set progresses from bleepy, fuzzy electronics/histrionics, to on-stage croissant consumption, to a weird moment when Mon’s microphone seems to be making sweet love with Dev’s sax. From experimental to experiential to downright saucy, all in the space of 30 minutes. That’s ma boys.
Meanwhile, over in the marquee, it may only be 9pm but a bona-fide pop star is in our midst. Our sweaty, rain-soaked midst. KT Tunstall, ladies and gentleman. I know little about KT apart from how she writes her name (like Katy, but KT), and that song that goes “her face is a map of the world“, which always struck me as an odd thing for a face to be.
KT absolutely smashes it though, with a song that quickly becomes our weekend anthem; It Took Me So Long To Get Here, But Here I Am could be the story of getting to Eigg, finally getting together with that special someone, or just, y’know, getting through life generally.
There’s also time for a rallying-cry version of 6 Nation Army. An “Ohhh, Jeremy Corbyn” chant on this fiercely independent Scottish island (celebrating 20 years of community ownership this year, no less) may not seem the smartest move, but she somehow gets away with it.
As if to say “we’re all in this together”, soon after Johnny Pictish joins her on stage for a rousing cover of A Little Respect, with Johnny doing all the high notes, obvs.
Next up, Francois & the Atlas Mountains. A band I’ve only ever seen before in a support slot at Brixton Academy with terrible sound and a disinterested audience to contend with. Fence Records released their second album in the UK, fact fans.
Tonight, they’re something else. From an unpromising start (and a song, Tendre, which my friend says reminds him of Coldplay), they build and build until eventually there are band members crowdsurfing and the guitarist is playing his instrument on his head, backwards. Yep, things are getting a little crazy, as Seal might have concluded. It all hinges on the incessant, funky highlife rhythm, which sets the crowd right off. Apres Apres!
Over in the Ceilidh Hall, the incomparable Bas Jan are doing their thing. From slightly scratchy and unpromising beginnings, they too grow into some kind of 8 legged groove machine – briefly becoming 10 legged when my friend Sam joins them on stage to shake an aganzá (or egg shaker, as it’s commonly known.) Songs about Sat Nav, Walton on the Naze, Anglo Saxon burials and the A36 are all ace, delivered in Serafina Steer’s anxious, paranoid drawl that I can’t get enough of.
The party really gets started when Jon Hopkins takes to the decks and gets us all dancing like the mad gin-and-iron-bru swilling louts that we are (or was that just me?) Suffice to say, I can’t remember much but I do vaguely recall jigging like a loon to Todd Terge’s Inspector Norse.
And I can’t remember at all if I saw/heard Archipel or not. Did they happen? Can anyone help a brother out here?
And so, to Saturday. The big one. Well, the even bigger one.
I feel proud to make it out of tent in time to see Martha Ffion and band; their lilting Americana and her sweet, sweet voice is just the gentle start I need.
Seamus Fogharty, who I saw earlier in the year at Lost Map’s Strange Invitation in London, and again at Latitude Festival a few weeks ago, is a delight. Each time, he’s got better, and today he’s brilliant. Mainly because this happens..!
LOVE those moves. In all seriousness though, Seamus’ songwriting has really come on, and it’s about time he got a break… Luckily, he has. A new album is coming out soon on Domino. Yay! Props too to the band – the ever-excellent Emma Smith (who keeps popping up all over the place, as usual), and a dancing drummer, no less!
Exhausted from all the excitement, I have to head back for a little nap (so missing Manc poet Alabaster dePlume, something I don’t feel good about, but what can you do?) I’m back just in time to see the last couple of songs by The Poozies. The islanders are out in force to see these four brilliant women play their harp, fiddle, banjo and guitar with gusto. It’s the closest we get to a ceilidh atmosphere all weekend, and makes me yearn for just a little more traditional music on the bill next time Johnny, if ya reading!
Withered Hand is/are as reliably brilliant as always (not to mention, hilarious). The drummer looks like he’s having a wonderful time, multiple times, if ya know what I mean 😉 (I later discover he’s camped right next to me… hellooo there big tall drummer man!)
Kid Canaveral are their usual solid selves, which is reassuring in these turbulent times. Well-equipped space cadets, ready for take-off, basically. And the perfect warm-up for The Main Event… Pictish Trail headlining his own festival, again!
How does he do it? Is he super-human or is it that secret natural spring of Bucky in his back garden, maybe? As well as welcoming and waving off every Sheerwater arrival, introducing all the acts, hugging EVERYONE, running a real, live, this-is-happening-right-now festival AND helping look after a small child (plus all us big children), he somehow also manages to play a blinder.
It’s another cracking set from the entire band, with highlights from the last album, lots of dancing and even, to close, an old Silver Columns skeleton dug out of the closet, brushed down, and covered in glitter for the heaving throng. Tonight Matthew, I’m going to be Jimmy Somerville.
An A-M-A-Z-I-N-G end to the night… but wait, it’s not even over yet.
James Holden and the Animal Spirits take to the stage some time around midnight for a set which can only be described as deeper than Loch Ness. It’s dark, it’s mysterious, it’s captivating. And the guy from Zombie Zombie is doing a very good impression of the Loch Ness Monster with his squirming, wriggly sax.
To close the night out we pogo a bit to Cutty’s Gym, but they’re making our ears hurt, so we retire to the marquee for a slow-burning set from Lord of the Isles. An hour in and suddenly, without anyone noticing, He (for it is Him) is dropping techno like it’s hot.
But it’s not hot at all, it’s raining. It won’t stop raining, which means we are effectively rave hostages, and we’re loving it. Rain, don’t ever stop…
Oh, it’s stopped raining and it’s getting light… time for bed, then. Thank our lucky stars we decided to camp in the small campsite, otherwise we’d be wading through THIS at 5am…
Sunday… I make it up to the Ceilidh Hall in time for Ed Dowie’s stuttering, wonderful sonic lunchtime noodles; given extra structure from an accompanying sax. There’s a theme developing here.
It’s perfect Sunday recovery session music. Thanks Ed!
Curtain-closers Meursault give it their all (and then a bit more) as usual, to the extent that even the drummer’s over-hung brother is roused from sleep for One More Dance. But by this point I’m struggling; we’re all struggling. I like this band, but I’m running on empty. What I need now is to sit in the cafe in the bay with a cup of tea and a chip buttie. So that’s what I do – after staying to the end of their set, naturally.
Later, we’ll jump on the back of a truck and get driven to the beach (cheers, drive!) Some will bravely go for a swim, while others will sit round the fire, drink what’s left of All of the Drinks, BURN THE STAGE (and their trainers, accidentally) in a ceremonial display of reckless abandon, eat some food while getting eaten by midges, and then hop back on the truck back to camp for some much needed zzzzz’s.
Incredibly, improbably, the next morning, as we set sail at 8.30am, Johnny is there to wave us off as we depart Eigg for another year; happy, sad, then happy again.
Planet Eigg is out of this world (© Hester & Sylvia, 2017). Aywwoooooh!